Со временем здесь будет опубликован подробный список литературы с возможностью поиска. 

Фильтры
Автор
Tематика
Год публикации
Язык
Сбросить

Найдено: 7

Digital engagement in culture heritage and the arts

[электронный ресурс] // ULR: http://gallery.mailchimp.com/36014e7fe51e6a0141d807fc9/files/Digital_engagement_in_culture_heritage_and_the_arts.pdf (дата обращения 13.11.2013).

Digital Heritage Article Collection

[электронный ресурс] // ULR: http://explore.tandfonline.com/page/pgas/digital-heritage (дата обращения 09.01.2014).

Mobile Digital Museum – the frontier for cultural heritage exhibitions

[электронный ресурс] // ULR: http://www.digitalmeetsculture.net/article/mobile-digital-museum-the-frontier-for-cultural-heritage-exhibitions/ (дата обращения 27.11.2013).

Recoding the museum: digital heritage and the technologies of change

Why has it taken so long to make computers work for the museum sector? And why are museums still having some of the same conversations about digital technology that they began back in the late 1960s? Does there continue to be a basic ‘incompatibility’ between the practice of the museum and the functions of the computer that explains this disconnect? Drawing upon an impressive range of professional and theoretical sources, this book offers one of the first substantial histories of museum computing. Its ambitious narrative attempts to explain a series of essential tensions between curatorship and the digital realm. Ultimately, it reveals how through the emergence of standards, increased coordination, and celebration (rather than fearing) of the ‘virtual’, the sector has experienced a broadening of participation, a widening of creative horizons and, ultimately, has helped to define a new cultural role for museums. Having confronted and understood its past, what emerges is a museum transformed – rescripted, re calibrated, rewritten, reorganised.

2007
Routledge

The politics of heritage authorship : the case of digital heritage collections

Digital heritage, as with heritage until recently, has been seen largely untouched by a critical discourse. What is deemed to be digital heritage is seen as unproblematic. To this end, I develop a critical discourse, and argue that digital heritage is a deeply political concept and practice. The ascription of heritage metaphors to cultural materials in a digital format means that digital media has become embedded in the cycle of heritage value and consumption, and in the broader heritage complex, an institutionalised culture of practices and ideas. These legacies, I argue, are shaping the way cultural materials in a digital format are defined and known, how they are produced and consumed and what gets to count as being significant within institutional frameworks. First, I seek to define digital heritage as a subgroup of heritage products and unsettle some of the assumptions embedded in the concept by critiquing the philosophies, discourses and political assumptions that have been at the heart of debates about the meaning of heritage. I then critically analyze systems of value and significance and their technologies of production such as the idea of materiality, authenticity and aura. By drawing on Foucault’s technologies of domination (1977) and technologies of self (1988), I examine the tensions between institutionalised forms of heritage ascription and ways communities are defining the meaning, value and significance of these objects on their own terms. I conclude by suggesting new ways that institutions might think about and engage cultural objects in a digital format.

2008
Routledge

Theorizing digital cultural heritage: a critical discourse

In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory; the essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation, and representation of cultural heritage. The contributors—scholars and practitioners from a range of relevant disciplines—ground theory in practice, considering how digital technology might be used to transform institutional cultures, methods, and relationships with audiences. The contributors examine the relationship between material and digital objects in collections of art and indigenous artifacts; the implications of digital technology for knowledge creation, documentation, and the concept of authority; and the possibilities for "virtual cultural heritage"—the preservation and interpretation of cultural and natural heritage through real-time, immersive, and interactive techniques.

The essays in Theorizing Digital Cultural Heritage will serve as a resource for professionals, academics, and students in all fields of cultural heritage, including museums, libraries, galleries, archives, and archaeology, as well as those in education and information technology. The range of issues considered and the diverse disciplines and viewpoints represented point to new directions for an emerging field.

Contributors Nadia Arbach, Juan Antonio Barceló, Deidre Brown, Fiona Cameron, Erik Champion, Sarah Cook, Jim Cooley, Bharat Dave, Suhas Deshpande, Bernadette Flynn, Maurizio Forte, Kati Geber, Beryl Graham, Susan Hazan, Sarah Kenderdine, José Ripper Kós, Harald Kraemer, Ingrid Mason, Gavan McCarthy, Slavko Milekic, Rodrigo Paraizo, Ross Parry, Scot T. Refsland, Helena Robinson, Angelina Russo, Corey Timpson, Marc Tuters, Peter Walsh, Jerry Watkins, Andrea Witcomb

2006
MIT Press

Theorizing Digital Cultural Heritage: A Critical Discourse (Media in Transition)

[On-line версия] // URL: http://en.bookfi.net/book/1112382 (дата обращения 15.11.2019).

2007
The MIT Press